Inventery studio:
Published by Blain|Southern, Tim Noble & Sue Webster Turning
the Seventh Corner, is a 136 pp book which documents the conception and
realisation of the artists’ recent exhibition at Blain|Southern Berlin.
A monumental, site-specific installation, Turning the Seventh Corner
was created
by Noble and Webster in collaboration with the architect
David Adjaye and is the artist’s most ambitious project to date.
The
book itself documents the entire process behind the work, from its
conception, through working sketches, development and installation
concluding with the work installed in the gallery. Each distinctive
section of the book has its own unique style. Printed on two paper
stocks the book is case bound and pressed with a white foil title on the
cover. The typography reflects the physicality of the installation,
each title turning one of seven corners.
Central Saint Martins College of Art and Design
2009-10 campaign
Praline designed and art directed the whole recruitment campaign.
Colour Space
Richard Rogers
+ Architects
From the House to the City
Exhibition at the Urban Redevelopment Authority, Singapore
21.05.11 to 20.08.11
Praline designed the identity, signage, handout and all graphics for this show in Singapore.
‘Taken out of the usual museum context and set within a public
atrium, ‘From the House to the City’ in Singapore has successfully
created a new exhibition experience in a space that is at once both
contained yet spontaneous. The robust use of colours, thematic
programming and generous display of delicate architectural models
transformed our office atrium into a spectacular showcase of ideas. This
exhibition also attracted an exceptionally diverse range of visitors –
from the professionals to students, tourists and curious passersby.’
Central Saint Martins College of Art and Design
2009-10 campaign
Praline designed and art directed the whole recruitment campaign.
Colour Space
Beijing Design Week 2012
Colour Space, an installation by design studio Praline and
photographer John Short explores the relationship between sound, colour
and form.
The exhibition takes an existing idea, of sound being represented by
colour, one step further and shows how various sound frequencies create
their own individual patterns. Passing 7 frequencies that correspond to
the 7 musical notes through coloured pigment created unique ‘audio
explosions’.
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