15.2.13

Exhibition design

Inventery studio:



















Published by Blain|Southern, Tim Noble & Sue Webster Turning the Seventh Corner, is a 136 pp book which documents the conception and realisation of the artists’ recent exhibition at Blain|Southern Berlin.
 A monumental, site-specific installation, Turning the Seventh Corner was created
by Noble and Webster in collaboration with the architect David Adjaye and is the artist’s most ambitious project to date.
The book itself documents the entire process behind the work, from its conception, through working sketches, development and installation concluding with the work installed in the gallery. Each distinctive section of the book has its own unique style. Printed on two paper stocks the book is case bound and pressed with a white foil title on the cover. The typography reflects the physicality of the installation, each title turning one of seven corners.





























Richard Rogers
+ Architects
From the House to the City
Exhibition at the Urban Redevelopment Authority, Singapore
21.05.11 to 20.08.11  
 
Praline designed the identity, signage, handout and all graphics for this show in Singapore.
 
‘Taken out of the usual museum context and set within a public atrium, ‘From the House to the City’ in Singapore has successfully created a new exhibition experience in a space that is at once both contained yet spontaneous. The robust use of colours, thematic programming and generous display of delicate architectural models transformed our office atrium into a spectacular showcase of ideas. This exhibition also attracted an exceptionally diverse range of visitors – from the professionals to students, tourists and curious passersby.’ 


























Central Saint Martins College of Art and Design
2009-10 campaign

Praline designed and art directed the whole recruitment campaign.























Colour Space
Beijing Design Week 2012
 
Colour Space, an installation by design studio Praline and photographer John Short explores the relationship between sound, colour and form.
The exhibition takes an existing idea, of sound being represented by colour, one step further and shows how various sound frequencies create their own individual patterns. Passing 7 frequencies  that correspond to the 7 musical notes through coloured pigment created unique ‘audio explosions’.

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